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This summer changed us

by Lena Sokolova

Luna's 7 days

by Daria Ermolaev

Flower of love

by Radika Baglai

The Art of Birth

by Daria Ermolaev

Riot

by Ira GOshina

Cloud Castle

by Sofia Zakharchuk

So often we build castles in the air from our fantasies and illusions, forgetting the magic that surrounds us here on earth.

Censored

by Ira GOshina

The light lines

by Anna Spector

Geese

by Julia Smirnova

The look

by Emile Khalikov

The World Beyond

by Giandomenico Veneziani

The World Beyond It is a photographic project set in an apocalyptic scenario, a dystopian future where our planet, tired, aging, and victim to epidemics, natural disasters, and pollution, has ceased to be what we once knew. The air is now unbreathable and survival is quite difficult. This photographic story is set in this scenario, featuring two people, a young couple trying to survive in this hostile world full of dangers but poor in resources. The images are intended to tell a story of sorts, expressing the different emotional states young people experience in their daily lives. In this case, they explore a new, abandoned, and declining place where they can rest and refresh themselves for a while while searching for better accommodation along the way. The tone is purely cinematic.

Man by the river

by Lena Sokolova

Vulnerable Acts

by Elya Kezene

Vulnerable Acts is a photographic series that examines sensuality, solitude, and the porous boundary between self and the world. Across six works — Dissolution, Fracture, Cocoon of Light, Inhale, Between, and Vulnerability — the body negotiates openness and concealment through veils, meshes, and ephemeral gestures. The works register a movement: from dissolving into light (Dissolution), through splitting and multiplicity of presence (Fracture), to enclosure beneath a translucent sheath (Cocoon of Light), and onward to intimate acts of breathing and attentiveness (Inhale). Between sets the face on the threshold between revealing and withdrawing, and Vulnerability names the series’ central concern: how fragility becomes a way of presence and endurance rather than mere passivity. Taken together, these images propose vulnerability as a material condition — a space where risk and resilience, exposure and protection, softness and resolve coexist. The series reframes solitude not as absence but as an encounter: a field in which the senses test the boundary of the self and discover modes of being that are at once fragile and durable.

Neverland

by Maria Neimantaite

This project focuses on places that different individuals call “Neverland.” This refers to the famous Peter Pan story and how its metaphor stands for “internal childhood.” I think it’s very important for everyone to have a place in the world that fills them with happiness and heals their inner childhood. This project is centred around this concept where I document the special moments between the place and the person.

Through the Mirror

by Anastasiia Tikhonova

A reflection on self-perception and reality, exploring the duality between what we see and what truly exists.

Perfectly Imperfect

by Giulia Filippi

The perfect geometric figure, the circle, is broken in the representation of her logo. This symbol is her mirror: it reflects herself and her vision of the world and it is always associated with her slogan “I try to find beauty in things that are imperfect. Like me”. She always felt unsatisfied with today's society's communication. She have felt imperfect for many years in a world that would want her to be too perfect and promotes values of absolute perfection (bodies, thoughts, job career, family…) until, after years and years, she simply learned to accept herself and turn all her inadequacy into a plus. She brings the same poetics into digital art. She began to distort everything she was given by society: everything seems to be too perfect, too schematic, too pre-set, too symmetrical and at the same time so terribly unreal. Always hovering between realism and surrealism, between irony and riddles of the modern man, Giulia mixes bright colors to give life to an environment where thanks to her art and above all, thanks to multiple self-portrait techniques, she can feel more comfortable, free and real.

Dualism

by Olesja Brandt

This series of photographs explores dualism as an internal state rather than as a contrast of external roles. The feminine and the masculine here exist not as gender markers, but as two coordinate systems — vulnerability and control, intuition and structure, the physical and the social. They coexist within a single body, engage in dialogue, conflict, and temporarily reconcile. The heroine's image is deliberately split: reflection, divided outfit, changing attributes. Dress and suit, flower and strict line, bare skin and closed form — visual codes through which the process of self-identification unfolds. The mirror becomes a space of interaction. The project addresses the fragile balance between the internal and the imposed, between who a person is and who they have learned to be. Dualism here is not a conflict to be resolved, but a state in which genuine presence is possible. The series invites the viewer not to choose a side, but to linger in the moment between them.

Where summer lives

by Anna Fors

Where summer lives is a visual exploration of childhood memory, of how it feels from within: endless, bright, and utterly real. Water from a rusty pump, a leap into hay, bare feet on an old windowsill — these simple scenes become symbols of freedom and happiness, which in childhood are taken as the most natural part of life. The series reminds us that childhood is not a time but a state of soul, perhaps the most honest and pure thing we are able to carry within us.

Thin.Not.Beautiful

by Irina Cheremisina

In a world where beauty ideals are constantly shifting, thinness is often celebrated—until it isn’t. This photographic project confronts the paradoxical and often harmful standards imposed on women’s bodies, particularly those who fall on the slender end of the spectrum. Through a series of visual works, I document and interpret real phrases directed at me over the years—remarks like “Skin and bones!”, “Your face looks sunken”, “Get tested! Something is clearly wrong with you!”, “You’d be beautiful if you gained some weight.” Each image is a reflection of these unsolicited comments, which reduce a person’s appearance to a subject of public discussion and criticism. This project is not just about being thin—it’s about being scrutinized, misunderstood, and body-shamed. It’s about the emotional toll of constantly being told how to exist, how to look, and how to change. By bringing these statements out of the shadows of memory and into visual form, I aim to shed light on a rarely acknowledged side of body shaming. I invite viewers to question the toxic narratives we’ve internalized about beauty, and to see individuality—rather than conformity—as the most authentic expression of self. Ultimately, this work is a reclaiming of voice, body, and identity. It is a reminder that every body tells a different story, and every woman holds a unique truth worth seeing and honoring.

The Beauty of imperfection

by Anna Spector

The imperfections ( scoliosis as example) can become a piece of art.